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The Lion King
Movie

The Lion King

2019Animation, Adventure, Drama

Woke Score
2
out of 10

Plot

In Africa, the lion cub Simba is the pride and joy of his parents King Mufasa and Queen Sarabi. Mufasa prepares Simba to be the next king of the jungle. However, the naive Simba believes in his envious uncle Scar that wants to kill Mufasa and Simba to become the next king. He lures Simba and his friend Nala to go to a forbidden place and they are attacked by hyenas but they are rescued by Mufasa. Then Scar plots another scheme to kill Mufasa and Simba but the cub escapes alive and leaves the kingdom believing he was responsible for the death of his father. Now Scar becomes the king supported by the evil hyenas while Simba grows in a distant land. Sometime later, Nala meets Simba and tells that the kingdom has become a creepy wasteland. What will Simba do?

Overall Series Review

The film is a nearly shot-for-shot remake of the 1994 original, preserving the core themes of duty, spiritual destiny, and traditional monarchy. The story is a straightforward struggle between a rightful heir and a usurping villain, which heavily reinforces concepts of social hierarchy, lineage, and natural balance. Any modern perceived 'woke' elements are either non-textual interpretations of the source material's character tropes or are limited to the casting of the voice actors. The narrative arc directly celebrates the restoration of the established ancestral order (Mufasa's legacy) and the traditional nuclear family structure (Simba, Nala, and their heir) as the means to save the civilization. The film's central spiritual concept, the 'Circle of Life,' provides a clear, objective moral framework that dictates what is right, good, and necessary for the health of the world.

Categorical Breakdown

Identity Politics3/10

The plot is centered on a royal line of succession and the merit of a natural-born king, Simba, over the resentful and self-serving Scar. The film’s conflict is driven by lineage and personal greed, not race or immutable characteristics. While the all-animal cast features diverse voice actors, the narrative does not lecture on privilege or systemic oppression, instead portraying the evil hyenas as a group that chooses selfish over-consumption against the laws of nature and society.

Oikophobia1/10

The entire story arc is a journey for the hero to return home to his inheritance and restore the established civilization, the Pride Lands, after it has been ruined by the chaos of the usurper. Mufasa, the ancestral figure, appears as a spiritual guide who directs Simba to embrace his heritage and duty. The film is a clear celebration of traditional order, home, and ancestors, representing the highest respect for one's institutions.

Feminism2/10

The core of the plot is the heroic journey of the male heir to reclaim his patriarchal throne. Although Nala is a physically capable and brave character who seeks out Simba to warn him, her final role is primarily as the male hero's motivation, wife, and mother of the new male heir. The film upholds the traditional male-led monarchical structure, and motherhood is celebrated with the presentation of the new cub at the end.

LGBTQ+3/10

The primary relationship in the film is the male-female pairing of Simba and Nala, which leads directly to the restoration of the kingdom and the establishment of the next nuclear family. The villain, Scar, exhibits effeminate mannerisms and a lack of heterosexual interest, continuing an old trope that uses queer-coding to signal malevolence. Timon and Pumbaa function as an adoptive parental unit, but their relationship is not explicitly sexual and centers on platonic friendship rather than an alternative sexual identity.

Anti-Theism1/10

The concept of the 'Circle of Life' serves as a clear, transcendent moral and spiritual law that governs the world. Mufasa's existence as a guiding spirit in the clouds explicitly confirms an objective, metaphysical reality and a higher power that holds the main characters accountable for their choices. Morality is not subjective; it is dictated by duty, responsibility, and the natural balance of the world.