← Back to The Summer I Turned Pretty
The Summer I Turned Pretty Season 1
Season Analysis

The Summer I Turned Pretty

Season 1 Analysis

Season Woke Score
5.2
out of 10

Season Overview

Belly Conklin is about to turn 16, and she’s headed to her favorite place in the world, Cousins Beach, to spend the summer with her family and the Fishers. Belly’s grown up a lot over the past year, and she has a feeling that this summer is going to be different than all the summers before.

Season Review

Season 1 of The Summer I Turned Pretty transforms a 2009 teen romance novel into a modern showcase for contemporary social values. While the show retains the central love triangle and the aspirational 'old money' aesthetic of Cousins Beach, it intentionally updates the cast and character motivations to align with current ideological trends. The narrative centers on Belly Conklin's 'glow-up' and her transition into the world of debutante balls, which the show reinterprets as a space needing more diversity and inclusion. The production prioritizes representation through race-swapping the lead family and altering the sexual orientation of key characters, ensuring that the sentimental summer atmosphere is layered with modern identity-based themes.

Categorical Breakdown

Identity Politics7/10

The lead family is race-swapped from the original source material to be Korean-American. The plot emphasizes the importance of diverse representation within historically exclusive spaces like debutante balls, making skin color and heritage a central part of the character's journey into high society.

Oikophobia3/10

The series romanticizes the American East Coast and traditional summer vacations. While it critiques the 'stuffy' nature of old-world traditions, it seeks to reform and join these institutions rather than dismantle them, showing a deep affection for the setting and its history.

Feminism5/10

The story revolves around a girl's physical 'glow-up' to attract male attention, which aligns with traditional romance tropes. However, it balances this with strong female-led subplots where the mothers are the true heads of the household, and the boys are often framed as secondary to the female emotional experience.

LGBTQ+7/10

One of the two primary male love interests is rewritten as bisexual, a significant change from the book to increase queer representation. The show normalizes casual queer experimentation among teenagers and depicts it as a standard aspect of modern social life without conflict.

Anti-Theism4/10

The narrative exists in a purely secular environment where traditional faith is entirely absent. Moral guidance comes from personal feelings and the bond of family rather than any religious or transcendent framework, though it lacks overt hostility toward the church.