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Raw Season 24
Season Analysis

Raw

Season 24 Analysis

Season Woke Score
3
out of 10

Season Overview

History is made on Raw in 2016 as Shane McMahon and Goldberg both make shocking returns to WWE, a new Women's Championship is introduced, and the WWE Draft again splits Superstars between Raw and SmackDown LIVE.

Season Review

Season 24 of Raw, covering the 2016 period, centers heavily on the professional wrestling narrative of the 'Women's Evolution.' This theme significantly drives the score in the Feminism category. The narrative places a strong and consistent emphasis on female characters shattering glass ceilings and achieving historic firsts, such as main-eventing pay-per-view events. This is the primary driver of the detected content. Outside of the gender dynamics, the season remains very low on the 'woke' index. Storylines for male performers like the returns of Goldberg and Shane McMahon, and the main event feuds involving Roman Reigns, Kevin Owens, and Chris Jericho, rely on traditional wrestling archetypes of ambition, rivalry, and spectacle. The show's morality and structure adhere to a normative framework, with no significant push toward identity politics, civilizational self-hatred, queer theory, or anti-theism. The program maintains its core structure of character-driven conflict and meritocracy within the confines of a sports entertainment setting.

Categorical Breakdown

Identity Politics2/10

Characters are judged primarily by ring performance, star power, and whether they are a 'face' (good) or 'heel' (evil). The push given to talent of color like Sasha Banks and Roman Reigns is based on perceived merit and fan reaction, not on an intersectional lecture. White male characters like Kevin Owens and Chris Jericho are top antagonists while others like Seth Rollins are top protagonists, contradicting a pattern of consistent vilification. The casting is colorblind to match character merit.

Oikophobia1/10

The programming is set within the institution of WWE and celebrates its history and present structure. The show frames its American and Western-based heroes as the standard of excellence. Foreign antagonists, where they exist, are presented as traditional heels who disrespect the home culture, which reinforces national and civilizational pride.

Feminism7/10

The core of the women's division storyline is explicitly built around a 'Women's Evolution' narrative, which centers on female wrestlers achieving firsts (main event a PPV, Hell in a Cell) and proving their worth against a perceived past of being undervalued. This is a high-level corporate push of the 'Girl Boss' trope, emphasizing career success and systemic change. Female leads like Charlotte and Sasha Banks are presented as instantly elite and historic pioneers. Male characters are not consistently emasculated but the narrative focus is placed on the women overcoming a metaphorical system.

LGBTQ+1/10

The broadcast adheres to the normative structure of the traditional professional wrestling audience. Sexual orientation and gender identity are not made focal points of character or story. The show maintains a focus on male-female pairings only for romantic or rivalry purposes, and avoids lecturing on alternative sexual or gender ideologies.

Anti-Theism1/10

The program is secular and focuses on in-ring combat and spectacle. Traditional faith or religion is not a subject of storyline vilification. Characters operate within a moral framework of cheating versus playing fair, which acknowledges a basic objective truth of right and wrong within the ring.