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Law & Order Season 20
Season Analysis

Law & Order

Season 20 Analysis

Season Woke Score
3
out of 10

Season Overview

No specific overview for this season.

Season Review

Season 20 of Law & Order, airing in 2009-2010, reflects a time when the show focused on complex social and political issues using its signature 'ripped-from-the-headlines' format. The show maintains its procedural focus on crime investigation and prosecution, treating the justice system as a functional, if flawed, institution. Themes of political corruption, drug cartels, and medical ethics (like the murder of an abortion doctor) are central. While the season includes a lesbian relationship as a blackmail plot point and portrays conservative religious zealots as criminal suspects, the narrative prioritizes legal and criminal procedure over ideological lecturing. The main characters are defined by their professional competence and dedication to objective truth rather than immutable characteristics. The scoring is low across most categories as the specific tropes of contemporary 'woke' media—such as aggressive intersectional identity politics, systematic vilification of whiteness, or the deconstruction of gender—were not yet prevalent in this long-running series.

Categorical Breakdown

Identity Politics2/10

Characters are judged by their roles and actions within a crime, not by an intersectional hierarchy. The show examines crimes across all socio-economic and racial groups without a consistent narrative of systemic oppression or white guilt. An episode does feature a political group, a 'libertarian group active in those tea parties,' as part of the criminal investigation, but this centers on ideological conflict rather than immutable characteristics.

Oikophobia2/10

The series centers on upholding the integrity of the American criminal justice system, viewing its institutions as necessary to combat chaos and depravity. While police corruption and political malfeasance are often exposed, the fundamental structure of the law-and-order process is respected. An episode featuring a Mexican drug cartel depicts the foreign element as criminal, not as a spiritually superior 'Noble Savage' culture.

Feminism3/10

Female characters like Lieutenant Van Buren and ADA Rubirosa hold high-powered, competent positions and are respected by their male colleagues. The narrative does not depict male leads as bumbling or toxic. The focus is on professional capability for both men and women, which leans toward 'Girl Boss' representation without the extreme emasculation or 'motherhood is a prison' messaging.

LGBTQ+4/10

One episode focuses on a murder tied to a blackmail scheme involving a journalist and a talk show host in a lesbian affair. This centers an alternative sexuality in the plot. However, the sexuality is treated as a plot device for blackmail, not as an opportunity for lecturing on queer theory or actively deconstructing the nuclear family, keeping the score moderate.

Anti-Theism5/10

One plotline involves the murder of a late-term abortion doctor, and the narrative suggests the perpetrator is a religious anti-abortion zealot. This aligns with the trope of portraying religious fundamentalism, specifically a conservative Christian political issue, as a source of violence or crime. The show consistently seeks to uphold an objective truth through secular law, but its primary target is not religion itself, only religious extremism.